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Mamma Mia! Here We Go Again

January 21st, 2019   |   Updated on February 14th, 2022

Five years after the events of Mamma Mia! (2008), Sophie prepares for the grand reopening of the Hotel Bella Donna as she learns more about her mother’s past.

Discover Donna’s (Meryl Streep, Lily James) young life, experiencing the fun she had with the three possible dads of Sophie (Amanda Seyfriend). As she reflects on her mom’s journey, Sophie finds herself to be more like her mother than she ever even realized.

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Movie Reviews: “Mamma Mia! Here We Go Again

Movie Review: New Yorker

The year after McQueen died, a retrospective of his work, “Savage Beauty,” was staged at the Metropolitan Museum of Art. More than half a million people came, as if it were a theatrical hit, although not many Broadway shows go on till midnight, as “Savage Beauty” did on the final weekend of its run. The emphasis was more on the clothes than on the ripped and messy life of the man who created them, and, if you were driven to speculate on the fertile murk of his mind, so much the better. Now, however, the co-directors of “McQueen,” Ian Bonhôte and Peter Ettedgui, have decided to redress the balance.

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Movie Review: Chicago Reader

This exuberant sequel easily tops the 2008 musical hit Mamma Mia!: ABBA’s songs flow nonstop, and the dexterous ensemble give as much pleasure as the gorgeous Mediterranean backdrop. In flashbacks, the youthful version of Meryl Streep’s free-spirited character (Lily James) beds three different men (Hugh Skinner, Josh Dylan, Jeremy Irvine) and then wonders which is the father of her child. Colin Firth, Stellan Skarsgard, and Pierce Brosnan reprise their roles as the suitors in middle age, and Cher is the cherry on the sundae as Streep’s mother. Ol Parker directed; with Amanda Seyfried, Christine Baranski, Julie Walters, and Andy Garcia.

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Movie Review: Wall Street Journal

Ah, sweet(ish) surrender…there’s simply no defense against “Mamma Mia! Here We Go Again,” with its bright colors, brighter smiles, exuberant music, merry villagers and moist radiance. Yes, the glee is industrial-strength, and the ABBA-fueled production numbers are so far over the top that the film is at once topless and chaste. Yet there’s a wellspring of genuine feeling in this time-hopping sequel, framed as an origin story.

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