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Reservoir Dogs

Updated on March 30th, 2019

A crime boss assembles a team of six experienced criminals to pull off a large jewellery heist.

Six criminals, who are strangers to each other, are hired by a crime boss, Joe Cabot, to carry out a diamond robbery. Right at the outset, they are given false names with the intention that they won’t get too close and will concentrate on the job instead. They are completely sure that the robbery is going to be a success.

But, when the police show up right at the time and the site of the robbery, panic spreads amongst the group members, and two of them are killed in the subsequent shootout, along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.

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Movie Reviews: “Reservoir Dogs

Movie Review: Los Angeles Times

Strong violence is Tarantino’s passion, and he embraces it with gleeful, almost religious, fervor. An energetic macho stunt, “Reservoir Dogs” (selected theaters) glories in its excesses of blood and profanity, delighting, in classic Grand Guignol fashion, in going as far over the top as the man’s imagination will take it.

Tarantino does have the filmmaking flair to go along with his zeal. Though “Reservoir Dogs’ ” story line of what happens when a well-planned robbery goes wrong is a staple of both B pictures and pulp fiction, Tarantino’s palpable enthusiasm, his unapologetic passion for what he’s created, reinvigorates this venerable plot and, mayhem aside, makes it involving for longer than you might suspect.

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Movie Review: Guardian

The story is simple. A group of identically besuited robbers have a stoolie in their midst. So a heist goes badly wrong and the men, fleeing separately, roll around their scattered brains who has done the dirty on them. Revenge would be almost as sweet as actually getting away.

We never see the heist, so we don’t know what has gone wrong anymore than the stragglers. In one car, Harvey Keitel drives the badly wounded Tim Roth towards the comparative safety of an old warehouse, where the others congregate and, in a bloody finale which looks like a stab at a latterday Jacobean tragedy, the wheel turns full circle. Those who live by violence die by it.

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Movie Review: Entertainment Weekly

Part of the exhilaration of Reservoir Dogs is that it’s a dizzying entry in the ”f— you!” school of macho bravura. In the opening scene, a half-dozen cocky toughs, most of them in their late 20s and early 30s, sit around a coffee shop debating the meaning of Madonna’s ”Like a Virgin.” Much of what they say is ridiculous (some of it is also pretty sharp), but the speed and knowingness of their streetwise repartee is like a tonic; it also lets us know they aren’t dummies. This isn’t just dialogue — it’s the music of mano a mano exhibitionism. As it turns out, these guys barely even know each other. They’re anonymous professional crooks who have been assembled to rip off a jewelry wholesaler.

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